When the restrictions on manufacturing Czech and Austrian pastes, or rhinestones, was finally lifted, glass makers returned to producing "gems" in a marvelous rainbow of colors. These vivid rhinestones were often cut into large, obviously fake stones and worn in showy bib necklaces popular in the early 1950s. That same decade, Swarovski introduced its "aurora borealis" rhinestones, diamanté crystals with a special iridescent sheen. New innovations also led to machines that could cut rectangular and baguette-shaped stones, which Schoffel would set in trademark arrays.
Postwar, a newly prosperous America was crazed with consumerism, and a particular taste for whimsy. That's why, during the late '40s and '50s, Austria began manufacturing glass fruit pins almost exclusively for export to the U.S. These little brooches , made of glass that was molded or carved into the shapes of strawberries, pears, cherries, or bunches of grapes, came in vivid colors like scarlet, violet, tangerine, amber, cobalt, and emerald green.
Using Swarovski's foil-backing technique, these pieces have an even deeper shine. The stems and leaves tend be silver, gilt, or japanned metal, but those with leaves made of navette-cut or enamel crystals are even more valuable. Some fruit pins even came with matching earrings, and particularly rare pairs are marked "Germany."
Collectors Weekly: Vintage Austrian Costume Jewelry — Overview: [https://www.collectorsweekly.com/costume-jewelry/austrian]: [Date Unknown]
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